Christmas time brings with it the realization that there is no place like home. And no cure for homesickness but to visit it. For me, this is very bad news at the moment...this being my current location
http://en.wikipedia.org/wiki/England and this being the approximate location of home http://en.wikipedia.org/wiki/File:Munnar_hillstation_kerala.jpg .
It is not that I mind England. Besides the weather, (and the masochism ;) it is a place that thrills me. From the Hound of the Baskervilles moors to the James Herriot Yorkshire downs, to others I haven't even been. It's in my bones, much of my immediate ancestors having migrated from here. It's just that home is in my heartblood.
Home, where it's always, always warm. Unless it's those couple of weeks in December when the sun's closest to the equator, hurting your eyes through searing crisp sky blue skies, by glinting off the palm trees (really tough to do. The fronds aren't smooth enough). With the leaves on the almond trees, the only deciduous ones stubborn enough to stick around in the tropics, having turned blood red and carpeted the oddly dry ground. And by blood, I mean the color that it comes out when it's forcibly drawn out, still holding its warmth, deep shocking crimson.
Unless it's those few weeks in the lunar month of October-November, when the monsoon turns around and hits us a second time, cause we're lucky enough to be on its return path. When the frogs go crazy and sing all night, lovesick not with each other so much as with the torrents, that pool and freeze your feet when you go jump in them, and splash and soak you halfway up, no matter how far under your tiled roof and wooden beams and brick, whitewashed walls you try to curl up. When the snakes (the four poisonous kinds and a host of as gentle yet less venomous ones) decide they're tired of hiding in personal underground swimming pools and would like to go associate with some tasty frogs, and avoid the flashlights that so carefully look out for them in the darkness caused by another power outage. When the lightning shows them anyway as it flashes so dangerously down from the underbellies of the darkest blue-gray clouds, that the papers are full of the near misses and direct hits the next day, never bored of reporting burnt treetops or more melted televisions their sleepy owners forgot to unplug before the nightly thunderstorm. When the flood adds to the days allotted for annual holidays, already excessive, and the mosquitoes try to outdo the frogs as they hover outside the window screens, wishing they could reach the candlelit or inverter-lit life indoors.
Unless you visit a hill station. Where instead of bright red hibiscus, dragonflies, coconut and cacao trees, peacocks, tree dogs (aka night weasels), cormorants, purple-and-black-and-occasionally-yellow- hummingbirds, kept elephants, green backwater canals, paddy fields and coffee and pepper vines, there are deer, birds-of-paradise, wild and kept bees that make wild honey, cinnamon and pine trees, wild elephants, and tigers. And thick white mists that vanish instantly and make you catch your breath as you round the curve into the valley, tea gardens that cut a uniform light green symmetrical chessboard through the hills among the darker forests, orchids and waterfalls, wild endangered ox-goats-something or others, and icicle blue mountain lakes.
Unless you swim in the river at dawn. When it's still chilly from the night's rainfall, the last stubborn star is still dancing and the moon isn't quite done with the night to give over yet to the sun. When the fish are still too sleepy to move fast enough to get out of your way as you gingerly step a bare foot down into their territory. And the people are still too sleepy to have started the daily sounds of slapping wet clothes on the wash rocks, or gossiping snatches that carry across from the other bank, or honking across the bridge downstream, or running their early morning water pumps before the daily power grid possibly overloads. Except for that one temple far down the river, too far beyond the bend to see, which has started its morning music early enough to faintly drift up like fairy snatches beyond the distorting grasp of its illegal spec loudspeakers. And the cows are too sleepy to do more than sigh contentment from their bankside stalls with the best scenic view in town. And the terns wintering at the river are still asleep on the overhead electric wires. Except for that one who can never get quite to sleep and keeps swooping down, twittering in the moonlight, pretending it's a bat winging home before it gets too light.
Unless you sit in the sand at night under the almond tree. Watching the fireflies and waiting for the shooting stars to start and meanwhile making do with satellites. Along with the cats waiting patiently for the termites to decide it's time to leave their underground nests and take flight en masse, desperately hoping no one will notice their (apparent) deliciousness. And the crickets, growing louder as the sand grows cooler, and it is deemed late enough for the dusk-time lamp to be put out. And the sweet smell of the jasmine as it opens at night, that pierces because it is too intimate to be so public. And the intoxicating whiff of the coffee blossoms that the neighbor can't keep contained inside their iron gated, granite wall.
Unless you lie at noon in the paddy field, stained with grass and damp with the dew that shouldn't be lingering, watching the water buffaloes and tadpoles and hopefully not the watersnakes. Waiting for the schoolchildren to come home and get their uniforms dirty, who pick fruit and throw it to not at you, and to eat too much sugarcane as usual. Trying not prick your hands on the bamboo as you play hide and seek in its shade, forgetting again how strong it is.
Unless you stuff into an auto rickshaw at night during the first monsoon, the wind whipping your scarves into the opposite, oncoming lane as the driver swerves to avoid the frogs bursting out in the rain from their hot-season beds, swarming across the streets along with slashed bits of palm fronds and improvised newly launched paper boats. With the smells of roasting roadside peanuts and banana chips whistling through the many gaps, in its plastic side sheeting protectors that are no match for the monsoon wind. With the water splashing up into its innards making the engine stutter as the driver reaches politely back under your feet to switch over to the spare tank. With the post, the newspaper, the milk bags and the cat arriving wet on your doorstep, caught unawares at various points along their journey to sheltering relative dryness.
Unless you stay awake all night at a Kathakali, sitting crosslegged on the ancient outdoor stone floor as the gods, kings, warriors, and demons slowly take over your imagination, an overthrow as subtly lingering as the giant lamp flames that burn down the special sugarcane wicks that last through the night. A coolness that doesn't make its presence felt immediately, creeping as slowly as the action. Until the drum crescendoes in the second act of the second story, when the second coffee has worn off and the second sons are wide awake in their sleepy mother's laps, and the unflappable gentle giant tethered nearby has started on his second palm leaf.
Unless you swing under a palm leaf pantal shed, for as long as your friends deem is your turn, in a summer dress and bare feet, watching the black beetles drill holes in the beams just beyond your toes as the bamboo dust drops down into your eyes. And the millipedes that decide to see if your playhouse is slightly cooler than theirs, and curl into balls when you try to befriend them. And the ant lions that hide when you try to entice them out of their Star-Wars type sand whorls. And the squirrels that scold you for trying to find them on the other side of the poles.
For there's no place like home.
http://en.wikipedia.org/wiki/England and this being the approximate location of home http://en.wikipedia.org/wiki/File:Munnar_hillstation_kerala.jpg .
It is not that I mind England. Besides the weather, (and the masochism ;) it is a place that thrills me. From the Hound of the Baskervilles moors to the James Herriot Yorkshire downs, to others I haven't even been. It's in my bones, much of my immediate ancestors having migrated from here. It's just that home is in my heartblood.
Home, where it's always, always warm. Unless it's those couple of weeks in December when the sun's closest to the equator, hurting your eyes through searing crisp sky blue skies, by glinting off the palm trees (really tough to do. The fronds aren't smooth enough). With the leaves on the almond trees, the only deciduous ones stubborn enough to stick around in the tropics, having turned blood red and carpeted the oddly dry ground. And by blood, I mean the color that it comes out when it's forcibly drawn out, still holding its warmth, deep shocking crimson.
Unless it's those few weeks in the lunar month of October-November, when the monsoon turns around and hits us a second time, cause we're lucky enough to be on its return path. When the frogs go crazy and sing all night, lovesick not with each other so much as with the torrents, that pool and freeze your feet when you go jump in them, and splash and soak you halfway up, no matter how far under your tiled roof and wooden beams and brick, whitewashed walls you try to curl up. When the snakes (the four poisonous kinds and a host of as gentle yet less venomous ones) decide they're tired of hiding in personal underground swimming pools and would like to go associate with some tasty frogs, and avoid the flashlights that so carefully look out for them in the darkness caused by another power outage. When the lightning shows them anyway as it flashes so dangerously down from the underbellies of the darkest blue-gray clouds, that the papers are full of the near misses and direct hits the next day, never bored of reporting burnt treetops or more melted televisions their sleepy owners forgot to unplug before the nightly thunderstorm. When the flood adds to the days allotted for annual holidays, already excessive, and the mosquitoes try to outdo the frogs as they hover outside the window screens, wishing they could reach the candlelit or inverter-lit life indoors.
Unless you visit a hill station. Where instead of bright red hibiscus, dragonflies, coconut and cacao trees, peacocks, tree dogs (aka night weasels), cormorants, purple-and-black-and-occasionally-yellow- hummingbirds, kept elephants, green backwater canals, paddy fields and coffee and pepper vines, there are deer, birds-of-paradise, wild and kept bees that make wild honey, cinnamon and pine trees, wild elephants, and tigers. And thick white mists that vanish instantly and make you catch your breath as you round the curve into the valley, tea gardens that cut a uniform light green symmetrical chessboard through the hills among the darker forests, orchids and waterfalls, wild endangered ox-goats-something or others, and icicle blue mountain lakes.
Unless you swim in the river at dawn. When it's still chilly from the night's rainfall, the last stubborn star is still dancing and the moon isn't quite done with the night to give over yet to the sun. When the fish are still too sleepy to move fast enough to get out of your way as you gingerly step a bare foot down into their territory. And the people are still too sleepy to have started the daily sounds of slapping wet clothes on the wash rocks, or gossiping snatches that carry across from the other bank, or honking across the bridge downstream, or running their early morning water pumps before the daily power grid possibly overloads. Except for that one temple far down the river, too far beyond the bend to see, which has started its morning music early enough to faintly drift up like fairy snatches beyond the distorting grasp of its illegal spec loudspeakers. And the cows are too sleepy to do more than sigh contentment from their bankside stalls with the best scenic view in town. And the terns wintering at the river are still asleep on the overhead electric wires. Except for that one who can never get quite to sleep and keeps swooping down, twittering in the moonlight, pretending it's a bat winging home before it gets too light.
Unless you sit in the sand at night under the almond tree. Watching the fireflies and waiting for the shooting stars to start and meanwhile making do with satellites. Along with the cats waiting patiently for the termites to decide it's time to leave their underground nests and take flight en masse, desperately hoping no one will notice their (apparent) deliciousness. And the crickets, growing louder as the sand grows cooler, and it is deemed late enough for the dusk-time lamp to be put out. And the sweet smell of the jasmine as it opens at night, that pierces because it is too intimate to be so public. And the intoxicating whiff of the coffee blossoms that the neighbor can't keep contained inside their iron gated, granite wall.
Unless you lie at noon in the paddy field, stained with grass and damp with the dew that shouldn't be lingering, watching the water buffaloes and tadpoles and hopefully not the watersnakes. Waiting for the schoolchildren to come home and get their uniforms dirty, who pick fruit and throw it to not at you, and to eat too much sugarcane as usual. Trying not prick your hands on the bamboo as you play hide and seek in its shade, forgetting again how strong it is.
Unless you stuff into an auto rickshaw at night during the first monsoon, the wind whipping your scarves into the opposite, oncoming lane as the driver swerves to avoid the frogs bursting out in the rain from their hot-season beds, swarming across the streets along with slashed bits of palm fronds and improvised newly launched paper boats. With the smells of roasting roadside peanuts and banana chips whistling through the many gaps, in its plastic side sheeting protectors that are no match for the monsoon wind. With the water splashing up into its innards making the engine stutter as the driver reaches politely back under your feet to switch over to the spare tank. With the post, the newspaper, the milk bags and the cat arriving wet on your doorstep, caught unawares at various points along their journey to sheltering relative dryness.
Unless you stay awake all night at a Kathakali, sitting crosslegged on the ancient outdoor stone floor as the gods, kings, warriors, and demons slowly take over your imagination, an overthrow as subtly lingering as the giant lamp flames that burn down the special sugarcane wicks that last through the night. A coolness that doesn't make its presence felt immediately, creeping as slowly as the action. Until the drum crescendoes in the second act of the second story, when the second coffee has worn off and the second sons are wide awake in their sleepy mother's laps, and the unflappable gentle giant tethered nearby has started on his second palm leaf.
Unless you swing under a palm leaf pantal shed, for as long as your friends deem is your turn, in a summer dress and bare feet, watching the black beetles drill holes in the beams just beyond your toes as the bamboo dust drops down into your eyes. And the millipedes that decide to see if your playhouse is slightly cooler than theirs, and curl into balls when you try to befriend them. And the ant lions that hide when you try to entice them out of their Star-Wars type sand whorls. And the squirrels that scold you for trying to find them on the other side of the poles.
For there's no place like home.